A blog and community devoted to sharing creative ideas for bringing a camera into your bedroom adventures, hosted by Tony and Peggy Comstock of Comstock Films.
Keep in mind: Peggy, and I all did the HundredPushUps.com program earlier this year. IIRC, my first try was 23 pushup and Peggy’s was 18. The number’s we’re throwing up are residual benefit, and we didn’t even complete the program. (Hubman, on the other hand is a just a natural stud!)
So why not jump in! Add your test result in the comments or via e-mail and I’ll bump ‘em into the post!
Some technical notes on the video clip:
The video of me doing my push-ups was made with our Canon PowerShot on video-mode. I wanted to do a little work in the contrast range before I posted it so I brought into iMovie, the free video-editing software that comes with the MacOS. But dammit, I couldn’t figure out how to do what I wanted to do, so I ended up bringing it into FinalCutPro, which is much more complicated and is not free. I guess I’m going to have to do a little woodshedding!
The video was shot on auto exposure and auto color balance. Exposure is how much light goes into the camera, and color balance is the way digital cameras account for the various “color temperature” we experience; from the very blue light of an overcast day, to the clean white of normal day light and flash, to the warm amber of light bulbs. These days most cameras have at least five color temp setting: auto, daylight, indoor (tunstun lightbulbs), flourecent, and manual (which you can set by pointing the camera at a white card to give the camera a reference point.
Most of the time Auto is good enough for snapshots and even a lot of more deliberate photography. But if you start to push your photos away from “average” subject, lighting, and/or composition, Auto has a harder time figuring out what the camera is seeing. That’s when the other settings can help you get the results you want.
Shooting across color balance can yield pleasant result too. Some of you might remember the Levi’s commercials with their distinctive blue look. That was achieve by shooting indoor balanced film under outdoor light. You can go the other way and get a nice warm effect. Doing this will also mute colors, which can be frustrating or pleasing, depending.
In the case of the above video, the camera is being fed a bunch of conflicting and changing information. Blueish light coming from a West-facing window, skin tone plus the ceiling to try and interpret with the balance between the two changing as the amount of me in the frame changes. Rather than try and correct this, I boosted it a little in FinalCutPro by increasing the saturation, which exagerates the camera’s misinterpretation of the information it’s getting.
Over used, in find effects like this wearing. I couldn’t finish Maulan Rouge. But a bit here and there, short films, music videos, etc. is fun. A lot of expressiveness can be achieved by playing with color balance, exposure and contrast; both at the time of the exposure and in post. Maybe something to play with while you’re recovering from your push-up test!
Hello and welcome. I am Tony Comstock, and I am a filmmaker and photographer. I want to tell you about two very important things that happened when I first started went “online” about 15 years ago.
The first was that I met my wife Peggy. This was back before the World Wide Web, so when I say I “met” her, what I really mean is I noticed a post she made on a BBS, and I sent her a note, and from there we began to chat using an old unix program called nTalk. There was no exchanging pictures back then, let alone video chatting. The first time I saw her was after months and months of chatting, when I met her for lunch. I liked what I saw, and I guess she did too. We were married two years later.
The other thing that happened around this same time is that the internet went from being a text-only environment to a graphical environment. The first graphical browser, Mosaic, came out, then Netscape, and then the whole internet explosion. And somewhere inside of that explosion, people started posting sexy pictures of themselves, sometimes privately, sometimes in semipublic places, and sometimes out for the whole world to see.
I was fascinated, captivated and turned on by this sudden access to DIY erotic images. In the wake of the Meese Commission, and the unwholesome alliance of social conservatism and the radical anti-sex wing of feminism professional erotic image making had died a slow, ugly death. But these homemade expressions of sexuality, these mementos of sexual joy seemed to offer a way forward.
I thought, “What if I could capture the enthusiasm and authenticity of these pictures, but bring my skills as professional filmmaker to the process?” 15 years later and with 6 well-loved erotic documentary films to our credit I’m pleased with how we answered that question. We’ve proved that sexual imagery doesn’t have to be lurid or phony or tacky, but neither does it have be arid or sterile or joyless.
I’m coming back to do-it-yourself erotic image making for a few reasons. The first is simply that I get a lot of requests from magazines to offer my expertise on this subject. But bad advice is worse than no advice, and they always screw it up, so we’ve stopped saying yes. This blog is a way to go around the gatekeepers (aka magazine editors) and put my ideas about how people can have fun with cameras into the world directly.
Secondly, really amazing things have happened with the technology. I bought a little digital camera last year and was flabbergasted to find out it would also shoot up to 3 hours of full-screen video. This laptop I’m typing on right now came with a suite of software for image editing and video editing that I would have killed for 20 years ago. The tools that ordinary people have in their hands are really impressive, and with just a dash of technical knowledge, a little insight into the “Art of Seeing,” and a sense of play, it’s possible to use these very ordinary tools to make images you’ll treasure; mementos you’ll be glad to have 5, or 10, or 20 years from now.
The last thing is that once again I feel like commercial erotic image making is at a dead end, and once again I feel like the DIY approach offers a way forward; a way to see the collision of sex and image-making as joyful and consensual, and most of all playful. A way to show that making love is as much a part of our life as children’s birthday parties, or weddings, or company softball games, and every bit as worthy of being memorialized with images.
So if you’re nodding your head and saying “Yes, Tony’s right.” please add this blog to your RSS feed, or your blog roll, or tell a friend. If being an independent filmmaker means anything, it means being inventive, and I have 20+ years of inventive ideas that can make memorializing your erotic life easier, more satisfying, and more fun!
I’d also like to invite you to share your ideas and experiences with me, either just privately, or for publication. You can reach me in comments here, or tony at camera play for couples dot com.
Thanks for stopping by and I hope you’ll keep reading!
